Paz de la huerta enter the void

Set in the neon-lit nightclub environments of Tokyo , the story follows Oscar, a young American drug dealer who gets shot by the police, but continues to watch subsequent events during an out-of-body experience. The film is shot from a first-person viewpoint , which often floats above the city streets, and occasionally features Oscar staring over his own shoulder as he recalls moments from his past. With a mix of professionals and newcomers, the film makes heavy use of imagery inspired by experimental cinema and psychedelic drug experiences. Principal photography took place on location in Tokyo, and involved many complicated crane shots. Co-producers included the visual effects studio BUF Compagnie , which also provided the computer-generated imagery.
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27.03.2020
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The Trip | Filmmaker Magazine

This website uses cookies to help us give you the best experience when you visit our website. By continuing to use this website, you consent to our use of these cookies. There is one particular clip of the American actress Paz de la Huerta that I think of whenever I hear her name. In that clip — which is on YouTube, and which is extracted from the film My Scientology Movie — the documentarian Louis Theroux is interviewing the ex-scientologist Marty Rathbun in a glass-walled hotel room overlooking an azure pool. The mood is extremely sober, making it even more unexpected when a pouting de la Huerta, suddenly appearing on the balcony in her bikini, steps into the suite as if attending an audition. Her form, if not quite as Barbie-like as it was at the apex of her fame, is built to draw the eye.
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Paz de la Huerta: Linda

His newest film, Enter the Void , has already provoked arguments well into the night amongst the few cinephiles who have been privileged enough to glimpse its altogether unusual treasures. Obsessed with his stripper sister Paz de la Huerta and killed in a police raid, Oscar finds his soul separating from his body and then hurtling over and into the strobing, neon-lit sex district of Tokyo, searching for both a resolution to a life cut short as well as a new resting place. Enter the Void harkens back to the work of filmmakers as disparate as Stanley Kubrick and Paul Sharits, Kenneth Anger and Peter Tscherkassky, as well as first-person shooter video games and hallucinogenic drugs.
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Paz de la Huerta is the reverse end of that spectrum, being a seasoned pro even at such a young age. In the interview, she discusses her frustrations with working with amateur actors, and perhaps being given too much freedom by Noe. Clearly good friends, their relationship in real life seems to reflect their relationship in the film. Their very close relationship is mired by the tension of implied incestuous feelings throughout, even though those feelings are never consummated.
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